Samuel Palmer
1805-1881 British Samuel Palmer Galleries English painter, draughtsman and etcher. Palmer was a key figure of English Romantic painting who represented, at least in his early work, its pastoral, intuitive and nostalgic aspects at their most intense. He is widely described as a visionary and linked with his friend and mentor William Blake, though he stood at an almost opposite extreme in his commitment to landscape and his innocent approach to its imagery. He had none of Blake irony or complexity and was inspired by a passionate love of nature that found its philosophical dimension in unquestioning Neo-Platonism.
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Samuel Palmer Self-Portrait oil painting


Self-Portrait
mk52 c.1826 Black chalk heightened with white on buff paper 29.2x22.8cm Ashmolean Museum,Oxford
Painting ID::  26994 		Samuel Palmer
Self-Portrait
mk52 c.1826 Black chalk heightened with white on buff paper 29.2x22.8cm Ashmolean Museum,Oxford
   
   
     
Samuel Palmer A dream in the Apennine oil painting


A dream in the Apennine
mk47 Watercolour and bodycolour 660x1016mm
Painting ID::  32780 		Samuel Palmer
A dream in the Apennine
mk47 Watercolour and bodycolour 660x1016mm
   
   
     
Samuel Palmer Coming frome Evening oil painting


Coming frome Evening
mk81 Church 1830
Painting ID::  32805 		Samuel Palmer
Coming frome Evening
mk81 Church 1830
   
   
     
Samuel Palmer The Waterfalls,Pistil Mawddach oil painting


The Waterfalls,Pistil Mawddach
mk81 North Wales 1835-5
Painting ID::  32855 		Samuel Palmer
The Waterfalls,Pistil Mawddach
mk81 North Wales 1835-5
   
   
     
Samuel Palmer Home from aftonsangen oil painting


Home from aftonsangen
mk234 1830 30x20cm
Painting ID::  53884 		Samuel Palmer
Home from aftonsangen
mk234 1830 30x20cm
   
   
     
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     Samuel Palmer
     1805-1881 British Samuel Palmer Galleries English painter, draughtsman and etcher. Palmer was a key figure of English Romantic painting who represented, at least in his early work, its pastoral, intuitive and nostalgic aspects at their most intense. He is widely described as a visionary and linked with his friend and mentor William Blake, though he stood at an almost opposite extreme in his commitment to landscape and his innocent approach to its imagery. He had none of Blake irony or complexity and was inspired by a passionate love of nature that found its philosophical dimension in unquestioning Neo-Platonism.

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